Aura Edits
There’s a moment in Piers Morgan’s interview with Nicholas J. Fuentes, where the beet-faced British broadcaster asks the young demagogue “What is very fucking cool about Hitler?”. Without skipping a beat Fuentes responds, “Uhh, the edits”. Morgan continues the interview without interrogating this answer further, likely because Morgan has no conception of what an aura edit is. This 2-hour interview is scored with moments like these, borne out of the incredible difference between a man who grew up indoctrinated within modernism and one who lives and breathes the current reality of metamodernism.
The oldest tale of this world is the one of Gilgamesh, a demigod who battles gods and confronts the very essence of human mortality. Gilgamesh is likely based off a historical Sumerian king, who was later deified over the centuries of oral tradition. Throughout history, monarchs have adopted titles and myths to justify their imperial dominion over large swathes of humankind. King of kings was an imperial title adopted by rulers from West Asia to the Indian subcontinent throughout millennia, the same title used in the Bible to refer to Jesus Christ. Emperors of China obtained the Mandate of Heaven imbuing them with the right to rule all that lies below. An average peasant would go their whole lives without knowing anyone who knew anyone who knew anyone that had held court with their Emperor. These figures owned the right to your life, were as distant as any divine described in your religious tradition, and thus these legends permeated reality for the common-folk.
As scientific advances in communication and travel closed distances, the divine images of these men were slowly destroyed. Men had to become great because they espoused and demonstrated ideological convictions, leading to the greatest of wars over the grandest of narratives. With radio and widespread print, the distance was just right for millions of men to die for the cause. This was going quite well, until it was realized that this might all end with cockroaches inheriting the earth. This led to the rejection of everything sincere, because sincerity was going to get us all annihilated. People who read books label this as post-modernism, a firm embrace of performative irony in order to avoid the catastrophic mistakes of modernism.
It’s no accident that post-modernism coincided with television sets arriving in every living room. The serfs could see the men in suits, and confirm with their own two eyes that these were not men worth dying for. Even with the slow death of society and culture and life and meaning as the fat cats expedited the stripping of the world for their own pleasure, there was nothing to believe in and fight for.
So what is to be done? If you grew up after the turn of the millennium, everywhere you go you can smell the decline. A half-century of rejecting the narrative has led to the evident immiseration of every facet of being. However, holding beliefs too close to your heart has been tried before and we all know where that leads. Thus, one must exist in a permanent state of metamodernism, the continuous oscillation between modern sincerity and post-modern irony.
No political figure alive today embodies this better than the 27-year old Irish-Italian-Mexican man from the suburbs of Chicago. When Morgan questions Fuentes about how many jews died in the Holocaust, and Fuentes responds with “at least six million”, simultaneously exuding sincerity about Holocaust numbers being made up and performing irony about the very story of the Holocaust itself. When Fuentes quotes inaccurate statistics about the proportion of black men who end up in jail, he signals to his audience the sincere feeling that our inner cities are crime-ridden shitholes primarily caused by a certain segment of society, while simultaneously ridiculing his counterpart for taking the issue of the exact statistics seriously.
Aura edits get millions of views across Instagram and Tiktok from our youngest generation. They center on grand figures of the past and present, from FDR to Obama to Stalin to Trump to Hitler to JFK to Mao Zedong to Putin to Xi Jinping to Lee Kuan Yew to Malcom X and many more. Consisting of flashing images synced with uptempo or downtempo remixes of popular 2000s songs, anyone with a cursory introduction to CapCut can produce their own edit and upload it to the social media site of their choosing. Onlookers ask themselves, do the kids really love these controversial men of history? The answer is dependent on when and where you observe them on the pendulum swing of sincerity.